Classical Guitar Tone - Finger Nails and How "Should" You Hold the Guitar?

Much has been accounting about this affair and has abounding elements of mystery surrounding it, starting with Renaissance Adhesive players arena after nails, some well accepted Classical Period players arena after nails, etc. My own acceptance is that what we apprehend from a lot of players if they play is a "naily" tone, not a "flesh" tone. The ambition should consistently a little of both. This way, admirers associates up close can apprehend warmth, admirers associates in the aback row would apprehend authentic tone. I always sit in the aback row at Classical Guitar Recitals so I can apprehend what affectionate of tone the amateur has. I've consistently hated audition the "tone production" sounds emanating from any musician. Why the aboriginal row at a violin concert accept those seats, I'll never know. They accept to adore getting covered with a accomplished band of Rosin dust. I went through three audible methods of attach methodologies. Arena off the left side of the nail, arena off the appropriate ancillary of the attach ( as did Ida Presti of Presti and Lagoya acclaim ) and arena after any nails at all. I gave anniversary of them a fair amount of time and abstraction on anniversary to accord time for the champ to appearance itself and why. Although the appropriate ancillary adjustment contorts the duke a bit, I begin some interesting control abilities as it accompanying to agreeable interpretation. I can't absolutely explain further other than to say there seemed to be a bigger antithesis amid the accomplishment of the hands if in play. Much like axis a faucet with the larboard hand counterclockwise and axis a faucet at the aforementioned time with the appropriate hand clockwise. A array of "carving" of one's brainy amplitude occurs. The larboard ancillary method, if we stick to the aforementioned analogy, ultimately my final choice, is more accustomed and flowing. Try captivation your easily up and simulate axis a hot and algid bank army faucet with the larboard and appropriate hands, both turning counterclockwise. A altered brainy angel forms. Playing with no nails is like arena the Clavichord. Volume artlessly isn't an option. A nice agreeable aftereffect for assertive movements but not applied for all literature. I simply bogus a "violin mute" for my guitar, a array of harpsichord adhesive stop, for movements like the Gigue to one of Bach's Adhesive Suites. Fun being ! As one's address grows and changes through time, so does one's Appropriate Hand position due to arm bend changes about to the bend of the Guitar neck. These fluctuating changes accomplish it difficult for any amateur to accept just "one" band-aid to nail length, bend and bevel. How you authority the guitar is the aboriginal footfall to nail preparation. For the apprentice just starting to appear to grips with it, a few suggestions is all I'll anytime make. There is no one way to authority the guitar. The apprentice needs to find his or her "balance point" with the guitar afore I anytime accord advice. What may plan for me may never plan for the student. Accent is something that should come from aural the acceptance ear not without. For me, I like my guitar at about a 30 degree bend to the floor, which is absolutely a bit added "level" than a lot of players who hold it amid 40 - 45 degrees. I acquisition the added akin the neck, the moreJOYO JF-04 ergonomic. It's all about you and how you are able to calmly play in accessible or First position, the aboriginal 4 or 5 frets from the affability head. I bare to accelerate the guitar to the appropriate while captivation it so the Aboriginal position frets were afterpiece to my body making it easier for the larboard duke to action at that position. This aswell placed the "hump" of the guitar abutting to the affront lath anon on top of my larboard knee. This lowered the bend of the guitar which accustomed the appropriate duke feel nails to slide across the strings, creating a warmer tone, and brought the aboriginal position frets closer to the physique so the larboard arm wasn't so outstretched. It consistently appeared to me that Julian Bream captivated the guitar a bit like this while Segovia didn't. As I acicular out, it's claimed and will change about as you advance and eventually actuate the best bend for your technique, overall. To Your Music and To Your Success !